February 3, 2010
Digital Vision, whose highly regarded color grading and enhancement products are part of the workflow at leading facilities around the world, congratulates the filmmakers and films that screened and competed at the Sundance Film Festival, just wrapped in Park City, Utah.
“Our customers are the facilities and artists that support the creativity of storytellers. Our focus is directly on them, and we are proud to have contributed to the work of the filmmakers whose projects premier, screen or compete at Sundance,” noted Alexa Chollet, Director of Marketing, Digital Vision.
Projects at Sundance that were supported by Digital Vision products include:
Final Frame, New York
Bass Awards (NEXT)
The Tillman Story (U.S. Documentary Competition)
My Perestroika (U.S. Documentary Competition)
Joan Rivers (U.S. Documentary Competition)
Lit Post, Hollywood
Frozen (U.S. Dramatic Competition)
The Perfect Host (Park City at Midnight)
Tunnel, Santa Monica
The Dry Land (US Dramatic Competition)
Will Cox, Final Frame Co-Founder and Colorist noted that, “Over the past decade, we have had the amazing opportunity to work with some of the most
talented independent filmmakers on the scene today. We help them execute their technical requirements, but our job is ultimately to empower their creative voice. Digital Vision helps us to do that, time and again.”
Kyle Jackson, Owner of Tunnel Post in Santa Monica, commented that, “We are fortunate to have the opportunity to work with talented filmmakers doing exceptional work and support the indie community as we did with The Dry Land. Those collaborations are everything to us, and Digital Vision supports us every step of the way.”
Digital Vision provides innovative image restoration, enhancement, color correction and data conforming systems that major movie studios, television networks and post production facilities use to master and deliver feature films, TV programs and commercials. The company’s Nucoda product line provides a strong suite of products for tapeless and non linear grading for HD broadcast and 2K/4K digital intermediate productions. The company’s award-winning products are a standard of the media and entertainment industry and are deployed at top facilities and broadcasters around the world.
Digital Vision AB was founded in 1988 and is headquartered in Stockholm, Sweden, with three wholly owned subsidiaries, Digital Vision (U.S.) in Los Angeles, California; Digital Vision U.K. in London, England; and Digital Vision in Hong Kong, China. The company maintains its global presence through a network of qualified distributors.
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